Ursula von Gierke
Untitled
Lithograph
Year: 1993
Size: 23.25 x 16.5 in.
Edition: 25
Signed, dated and numbered by hand
Gallery COA provided

1 in stock

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SKU: 924802-329 Categories: ,

Ursula Von Gierke is an established contemporary visual artist. Ursula Von Gierke was born in 1952. Artists Kuan Aw Tan, Nicholas Mount, Frank Alberto De Matteis, Chloe Cheese, and Ola Steen are of the same generation.

Born in 1952, Ursula Von Gierke was largely inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple global renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic heart of the era. The majority of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-cultural activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. Street art started to emerge as a true and accepted form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in demonstrating that their artworks could exist at the same time in art galleries and on city walls. Fuelled by graffiti art, street art from its earliest days showed that it could endure in a perpetual flux of self-transformation, endlessly shifting the limits of modern art, becoming a truly ground-breaking artistic genre. All over, numerous movements defined the 1970s. Amongst others, feminism and the innovative radical philosophies it entailed strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also gained critical and commercial success. The critical, leading artistic figures of New York city started to embrace painters and sculptors from Latin America. The Arte Povera movement, which appeared in Italy, received global acknowledgement in the 1970s, and leading figures such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto were critically acclaimed. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Discarding traditional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an examination of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly left intact.

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Description

Ursula Von Gierke is an established contemporary visual artist. Ursula Von Gierke was born in 1952. Artists Kuan Aw Tan, Nicholas Mount, Frank Alberto De Matteis, Chloe Cheese, and Ola Steen are of the same generation.

Born in 1952, Ursula Von Gierke was largely inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple global renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic heart of the era. The majority of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-cultural activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. Street art started to emerge as a true and accepted form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in demonstrating that their artworks could exist at the same time in art galleries and on city walls. Fuelled by graffiti art, street art from its earliest days showed that it could endure in a perpetual flux of self-transformation, endlessly shifting the limits of modern art, becoming a truly ground-breaking artistic genre. All over, numerous movements defined the 1970s. Amongst others, feminism and the innovative radical philosophies it entailed strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also gained critical and commercial success. The critical, leading artistic figures of New York city started to embrace painters and sculptors from Latin America. The Arte Povera movement, which appeared in Italy, received global acknowledgement in the 1970s, and leading figures such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto were critically acclaimed. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Discarding traditional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an examination of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly left intact.